Bellini’s ‘Beatrice di Tenda’ Makes a Rare Appearance
December 5th, 2012WQXR | To broadly paraphrase Shakespeare’s 29th Sonnet, when I all alone beweep the outcast state of parts of the opera world and trouble deaf heaven with my bootless cries, and feel that in what I most enjoy I am contented least, I tend to go to my bookshelf and my well-worn copy of Marilyn Horne’s memoir The Song Continues (written with Jane Scovell) to read the no-nonsense and always perceptive views of an artist who refers to colleagues she esteems as “a real pro.” She knows whereof she speaks.