Angela Meade debuts at the Opéra National de Paris

Angela Meade made her highly anticipated debut with Opéra National de Paris this season, starring as Amelia in Verdi’s Un Ballo in Maschera. Widely acclaimed for her commanding Verdian artistry and soaring vocalism, Meade brings emotional depth and vocal brilliance to one of Verdi’s most demanding heroines in this new production at one of the world’s leading opera houses. Her Paris debut marks another major milestone in an international career celebrated on the foremost stages of opera.

“”Renato’s wife was sung by Angela Meade. Mme. Meade possesses a voice of purity that is in prime estate, that she used with musical intelligence and high style, making her an ideal late Verdi heroine” Opera Today – Michael Milenski

“”All honor to the sovereign, the show will remain memorable thanks to Angela Meade’s incandescent Amelia, who honorably succeeds Anna Netrebko. Having played several Verdi ladies at the MET (including Elvira in Ernani, which revealed her to a global audience), her bel canto style is a major asset in a transitional score. From her entrance as Ulrica, her presence is assertive (where so many others struggle to exist). Opening the floodgates in Act II with “Ecco l’orrido campo!”, she generously overcomes every obstacle without holding back, like a true dramatic soprano, slipping majestically into this already more declamatory style as well as into the arcane bel canto. The most challenging segments are tackled boldly, with a constant balance between impeccably seamless registers. In contrast, she must be heard negotiating the prayer “Morrò, ma prima in grazia” like a truly anguished woman, without the gratuitous languor that has too often been used as an interpretative alibi for ages. The intensity of sections such as “Morrò, ma queste viscere” precedes sublime, heart-rending pp nuances, without resorting to the slightest expressionism. This evokes – disturbingly – the heyday of Zinka Milanov, minus the pathos. Similarly, never before have we heard a live performance of “sugli occhi d’una madre” with such remarkable intensity from a Donizetti queen. In an uneven context, the stunning Angela Meade asserts herself as nothing less than one of the best Amelias we have ever heard on stage, after Anna Tomowa-Sintow.” Resonances Lyriques – Patrick Favre-Tissot-Bonvoisin

Angela Meade Triumphs as Danae in Strauss’s Die Liebe der Danae in Genova.

Angela Meade Triumphs as Danae in Strauss’s Die Liebe der Danae in Genoa

Acclaimed soprano Angela Meade has captivated audiences and critics alike with her luminous portrayal of Danae in Richard Strauss’s rarely performed Die Liebe der Danae, presented at Teatro Carlo Felice in Genoa. Her performance marks a significant milestone both for Meade and for the Italian opera house, which brought this complex and musically rich work to life with striking elegance and emotional depth.

Taking on one of Strauss’s most demanding soprano roles, Meade delivered a performance that was at once vocally commanding and deeply expressive. Her voice soared effortlessly over Strauss’s opulent orchestration, displaying her hallmark blend of power, agility, and radiant tone. Critics have praised her interpretation as “majestic,” “emotionally penetrating,” and “a vocal tour de force,” highlighting her ability to balance the mythological grandeur of Danae with a poignant sense of vulnerability.

Under the baton of conductor Michael Zlablinger, and supported by a stellar cast and creative team, Die Liebe der Danae was met with enthusiastic ovations and glowing reviews. Meade’s performance firmly establishes her as one of the leading Strauss interpreters of her generation.

A Night To Remember, Turandot with LA Opera

“Her extraordinary talent made it evident that we were witnessing a historic moment in opera, one destined to be remembered as legendary.” Indulge Magazine – G. Dhalla

Angela Meade’s inaugural assumption of Puccini’s iconic Turandot was a triumphant role debut at the Los Angeles Opera. Known for her extraordinary vocal prowess and dramatic intensity, Meade’s performance captivated audiences and critics alike, marking a significant milestone in her illustrious career. Her portrayal of the icy princess showcased her remarkable range and emotional depth, bringing Puccini’s masterpiece to life with unparalleled artistry. The production by famous artist David Hockney received standing ovations and rave reviews, solidifying Meade’s status as one of the leading sopranos of her generation with many claiming it was “a night to remember,” a “historic moment,” and something “legandary.”

Photo by Cory Weaver

Angela Meade Triumphs as Norma at Metropolitan Opera

Angela Meade in the title role of Bellini’s “Norma.”
Photo: Ken Howard/Metropolitan Opera

“Angela Meade, reportedly flown in at the very last minute to take on the role of Norma, absolutely triumphed, pulling out all the stops to deliver a commanding performance that should, indeed, go down in history.” Parterre – Callum John Blackmore

On very short notice, Angela stepped into the Metropolitan Opera’s production of Bellini’s Norma and delivered an exhilarating performance in a role that she last performed at the Met in 2017.