“Angela Meade exhibits temerity and technical prowess in tackling the demanding role of Hélène. From the first the line rises high above the stave and Meade is dauntless in expressing Hélène’s all-consuming desire for vengeance.
Meade shows impressive strength across the whole range in ‘Au sein des mers et battu par l’orage, Voyez, ce beau vaisseau prêt à faire naufrage!’ (In the middle of the sea and prey to a storm, look, a fine ship is about to be wrecked!), building with astonishing power through the steadily climbing long-breathed lines, and the vitality of her exclamations to the crew to show courage would surely be inspiring to those in peril. She holds nothing back: no wonder the people fanatically revere her, ‘Quels accents! Quel langage!’ (What ardour! What words!). To complement such fervour, Hélène’s innate nobility of bearing and heart is made apparent in her Act 2 declaration of love for Henri; supported by a poised harp accompaniment, Meade produces a beautifully shaped line but makes intelligent use of vibrato and colour to suggest both the intensity and the fragility of the moment.”
– Opera Today – Claire Seymour