Angela is Mathilde in Rossini’s William Tell this May

April 24th, 2014

For her first appearances as the Austrian princess Mathilde in Rossini’s William Tell, Angela joins a strong cast, including Dalibor Jenis and John Osborn, in a new production of the rarely heard opera from renowned English director Graham Vick, CBE, at the Teatro Regio di Torino. Principal Conductor Gianandrea Noseda leads the orchestra (May 7, 11 & 18). Next season, Angela and the cast will reunite to reprise their roles at New York’s Carnegie Hall (Dec 7), during the Teatro Regio di Torino’s upcoming U.S. Tour.

This European debut follows on the heels of Meade’s “enormous success” (New York Times) in New York, where she recently headlined Bellini’s Norma and showed off her comic chops in Verdi’s Falstaff, both at the Metropolitan Opera, with the latter seen worldwide in the Met’s Live in HD series. She also graced a “dream team of opera singers” (New York Times) at a special Richard Tucker Centennial Gala, broadcast Live from Lincoln Center on PBS-TV.

Click here for a list of upcoming performances.

Angela to make Oper Frankfurt debut in concert performances of Puccini’s Edgar this February

January 23rd, 2014
Frankfurt Opera

Following a triumphant return to the Metropolitan Opera this fall in Bellini’s Norma and Verdi’s Falstaff, the “next great Verdian soprano” (Baltimore Sun) crosses the Atlantic for her debut at Germany’s Oper Frankfurt next month (Feb 16 & 18). Angela brings the role of Fidelia to life in a concert version of Puccini’s Edgar at the famed opera house, opposite fellow Beverly Sills Award winner and Academy of Vocal Arts alum Bryan Hymel.  Marc Soustrot conducts the rarely heard early Puccini work.

Later in the month, the soprano travels to the sunshine state for performances of Verdi’s Requiem with the Jacksonville Symphony and Chorus (Feb 27 & 28). Click here for a full list of upcoming appearances.

Angela Meade to give intimate performance for Classical Action: Performing Arts Against AIDS on Dec 12

November 22nd, 2013
Classical Action

Classical Action: Performing Arts Against AIDS continues its 2013-14 Michael Palm Series of benefit house concerts in New York City with an intimate performance by rising-star soprano Angela Meade on Thursday December 12. The event – held at the magnificent TriBeCa loft of Simon Yates and Kevin Roon – begins with wine and hors d’oeuvres at 6:30 p.m., with the concert starting at 7:30 p.m. Recipient of the Richard Tucker Award and the Beverly Sills Award, Angela has appeared regularly at the Metropolitan Opera since her professional debut in 2008. Last month she wowed critics and audiences in her first Met performances in the title role of Bellini’s Norma. She was paired in that production with fellow Met National Council Auditions winner Jamie Barton, causing “some old-school pandemonium in the house” (New Yorker critic Alex Ross), and moving the New York Times to proclaim “they are a duo that every opera lover should hear.” In December Meade will make her role debut as Alice Ford in a new-to-the-Met production of Falstaff, conducted by James Levine. Two days after her Classical Action recital, her performance in Falstaff will be beamed to movie theaters worldwide in the Met: Live in HD series. Tickets for her Classical Action benefit performance on December 12 can be purchased online at or by calling 212-997-7717.

Angela performs first Met Norma this week

October 21st, 2013

This week, Angela launches the 2013-14 season with her first Met performances in the title role of Norma (Oct 24 & 28), having demonstrated “her nearly mind-blowing mastery of Bellini’s most challenging music” (Washington Times) in the same part earlier this year. For her company role debut, Meade will be joined by mezzo-soprano Jamie Barton and tenor Aleksandrs Antonenko in a production by veteran British director John Copley. Riccardo Frizza will conduct. Meade recently scored a resounding success in her first staged performances as Norma at Washington National Opera. The company honored her as “Artist of the Year,” and the reviews were glowing and heartfelt; Anne Midgette declared: “Of the four Normas I’ve heard live in the last ten years, Angela Meade is by far the best” (Washington Post). Click here for a full list of Angela’s performances this fall.