2018/19 Season

September 8th, 2018

Looking Ahead to the 2017-18 Season

May 24th, 2017

As part of a resplendent season, Angela will sing the title roles of Bellini’s Norma and Rossini’s Semiramide at the Metropolitan Opera and Alcina with the Washington National Opera for their first-ever staging of Handel’s baroque masterpiece. In a season filled with titular roles, Angela will return to Oper Frankfurt in a role debut of Cilea’s Adriana Lecouvreur and bring her acclaimed interpretation of Giselda in Verdi’s I Lombardi in her return to Teatro Regio di Torino. Under the auspices of the Philadelphia Chamber Music Society and Performance Santa Fe, she will present solo recitals with pianist Danielle Orlando. In concert, Angela will return to the Allentown Symphony Orchestra alongside her husband, tenor John Matthew Myers, for an evening of Opera Arias and Duets, Seattle Symphony for Beethoven’s Nineth Symphony, debut with the Sun Valley Summer Symphony in Verdi’s Requiem and with the Rotterdam Philharmonic under the baton of Yannick Nézet-Séguin for performances of Mahler’s Eighth Symphony.

A Whirlwind summer of Verdi, Martinu, Mahler, Rossini, and more!

September 29th, 2016

Rossini Ermione MoscowA Whirlwind summer of Verdi, Martinu, Mahler, Rossini, and more! Angela Meade’s summer included a “power-house” (Washington Post) performance for the Washington Concert Opera 30th Anniversary Concert, a recital with Performance Santa Fe where Opera Today stated that “When we listen to Meade, we begin to know the sound of golden age singing”, Martinu’s The Epic of Gilgamesh with the Grant Park Music Festival where it was said that her “plush dramatic soprano was made to order for the courtesan’s seductive solo” (Chicago Tribune), Mahler’s 8th Symphony with the NHK Symphony, Rossini’s Ermione with the Russian National Orchestra, and a debut with Madrid’s Teatro Real as Lucrezia Contarini  in Verdi’s I Due Foscari where it was said that “Her voice is especially well suited to the character, with sufficient amplitude and a beautiful timbre.” (Seen and Heard International).

Angela returns to Madrid this fall to bring her acclaimed interpretation of Bellini’s Norma to Teatro Real, then joins Alberto Zedda to make her debuts at the Opéra de Lyon and Théâtre des Champs-Élysées as the title role in Rossini’s Ermione, and Seville will see her debut in Donizetti’s Anna Bolena with the Teatro de la Maestranza.

Acclaim for Parisina d’Este with the Opera Orchestra of New York

May 6th, 2016

Parisina 1Angela Meade offered a “glittering performance” (New York Times) in the title role of Donizetti’s Parisina d’Este with the Opera Orchestra of New York presented at the Rose Theater at Jazz at Lincoln Center under the baton of Eve Queler.

In its review of her performance the New York Times stated “The final act contains some stunningly dark and desperate music, with a funerary chorus, ominous drums and a bravura aria for Parisina, “Ugo è spento,” in which she veers between shocked grief and vindictive rage. Ms. Meade’s plush soprano, with a silvery glint that sharpens when she sings forte, eloquently expressed her character’s volatility and pain. The leaps, runs and ornaments of this role, which presses at the extremes of a soprano’s register, held no terrors for her.” New York Times

Photo © Rebecca Fay Photography

Debut recording with Opera Rara

February 26th, 2016


Le Duc D'Albe


Angela Meade is excited to announce the February 26, 2016 release of her debut recording with Opera Rara! She and Michael Spyres are a vocal match made in heaven (Presto Classical) and she dispatches her sizzling arias with magnificent power and assurance (The Times UK). This Donizetti rarity is a thrilling masterpiece, conducted brilliantly by Sir Mark Elder.

Head to OPERA RARA to purchase your copy today! Listen below for a sneak peak.


Trovatore at the Metropolitan Opera

February 7th, 2016



Photo Courtesy of The Metropolitan Opera: Marty Sohl

Angela Meade returns to the Metropolitan Opera in one of her signature roles, Leonora in Il Trovatore, through February 13th.

“One of the primary reasons to see Il Trovatore before the end of the month is to get a glimpse of the female lead—Angela Meade. Arguably the best young American soprano. This role provides her with an excellent opportunity to show her abilities–including the wonderful color of her voice and an outstanding high register. Meade’s talent alone should bring you into the opera house to see Il Trovatore.” NY Sports Day.

Performances of David McVicar’s production continue on February 9th & 13th under the baton of Marco Armiliato. Find tickets to Il Trovatore and more information here.

Fireworks on New Year’s Eve!

January 13th, 2016


Angela Meade rang in the New Year with a “masterful evening of operatic works (that) brought the audience to their feet on multiple occasions” (Philadelphia Magazine) with Yannick Nezet-Seguin and the Philadelphia Orchestra. “If you heard some vocal fireworks before midnight on New Year’s Eve, it was Angela Meade at Kimmel Center’s Verizon Hall. The remarkable soprano was in absolute breathtaking form as she returned to the ensemble for her first ever December 31st gala.”

Acclaim for Norma at Los Angeles Opera

November 25th, 2015

norma-crop-u9224Angela Meade “made a formidable Norma” (Orange County Register) at Los Angeles Opera’s opening night performance of the Bellini tragedy on November 21. “A sturdy, powerful soprano with exacting control, Angela Meade offers a textbook example of how to handle every nuance of Bellini’s exquisite melodic writing for his title character,” praised the Los Angeles Times, continuing in a description of Angela’s performances opposite castmate Jamie Barton’s Adalgisa that “the Meade-Barton amalgam is a sound so stunning that in the audience Saturday there were laughs of pure pleasure.” “She’s got a big, lyric voice that can rise above fortissimo climaxes, yet remains nimble and supple enough for the graceful singing and pianissimo point required in bel canto,” said the Orange County Register.

Performances of Anne Bogart’s production continue on November 29 as well as December 2, 5, 10, and 13, under the baton of James Conlon. Find tickets to Norma and more information here.

Got a Question for Angela?

October 23rd, 2015

10887447_10153474687187542_658877436346326249_oSubmit your questions for Angela here and be on the lookout for #‎sopranotips, coming soon on Facebook, on Instagram, and right here.

Norma at Los Angeles Opera

October 23rd, 2015

Norma2p-1Angela Meade brings her “astounding” (New Yorker) portrayal of Bellini’s Norma to the Los Angeles Opera, opening November 21. She sings opposite the Adalgisa of Jamie Barton and Russell Thomas as Pollione, telling the story of a love affair that brings two mortal enemies together during a time of war. “Angela Meade and Jamie Barton [in Norma]… are a duo that every opera lover should hear,” wrote the New York Times of a previous performance.

James Conlon conducts Anne Bogart’s production, which opens on November 21 with repeat performances on November 29 as well as December 2, 5, 10, and 13. Find tickets and more information here.

Photo © Scott Suchman / Washington National Opera